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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

Bride, 2015 by Abdul Abdullah

Observation point

Magazine article by Abdul Abdullah, 2015

I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.

Aldo Giurgola

A Life in Service

Magazine article by Mandy Martin, 2005

Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.

Mirror Mirror: Graeme Murphy

Reflections on a Hologram

Magazine article by Sam Bowker, 2005

Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.

Portrait 55

Summer 2016-2017

Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!

Vincent Brady leading anti Bicentenary Protest, Brisbane, 1987 Michael Aird

Activating the space

Magazine article by Sandra Phillips, 2020

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

Tanya by Jenny Sages

Observation point

Magazine article by Jenny Sages, 2015

Australian artist and Archibald Prize winner, Jenny Sages reflects on her work.

Axe Me Biggie

Axe Me Biggie

Magazine article by Stephen Dupont, 2008

Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.

Part of the crew of His Majesty's Ship Guardian endeavouring to escape in the boats

South-bound and down

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

Charles Teo

Charlie's angles

Magazine article by Stephen Phillips, 2017

Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.

Portrait of Philip Williams

Observation point

Magazine article by Rick Amor, 2021

While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.

Herb Wharton, Cunnamulla, Qld

Thousand mile stare

Magazine article by Simon Elliott, 2004

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.

David Campese II

Inspiration + Realisation: John Singer Sargent

Magazine article by Katherine Russell, 2006

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Rex at Maroubra, 2011

Observation point

Magazine article by Nicholas Harding, 2013

Nicholas Harding describes his enduring fascination with drawing and painting people.

Moby Dickens, 2022 Blak Douglas (Dunghutti, South-east region)

Why portraiture?

Magazine article by Blak Douglas, 2023

Blak Douglas reflects on his experiences, process and motivation for making portraits.

Boy on the dragon, 2010

Observation point

Magazine article by Zhong Chen, 2011

Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency